How Does the Social Class of Marjane's Family Conflict With Their Political Views?
Persepolis is a story about Marjane Satrapi, her family, her friends, and the people she knows—and also about the nation of Iran. These ii stories cannot be unspooled from each other—one cannot be told without the other, and no individual in the story can exist or be understood exterior of the context of the historical change happening in Iran around him or her, no matter how much he or she might try. From the showtime, Marjane's story is well-nigh how the private engages with the political—as her parents demonstrate against the Shah during the Revolution—and how the political encroaches on the personal—as after the Revolution Marjane must suddenly habiliment the veil at schoolhouse. Indeed, what Marjane at i point pinpoints as the source of the Revolution—course differences—she recognizes in her own family home: the family unit maid, Mehri, does not eat dinner at the table with them.
The question, and then, becomes one of degrees: if one cannot escape the political in one's life, how much should one participate in the political sphere, and does one actually have a choice in the matter? For the Satrapis, the question manifests itself in questions over how much risk they want to have to protect their rights—do they want to demonstrate and perhaps be beaten, for example? The Satrapis' solution is to try to recede equally much as they tin can, to appear like good citizens of the Islamic Republic even every bit they privately hold parties, make vino, and buy imported goods. Nevertheless even these choices are political acts, equally they are forbidden and might lead to abort.
Though Marjane cannot outwardly rebel much beyond improperly roofing her veil, she finds small means to resist the oppressive rules imposed on her by the Islamic Republic. The personal and the political, so, become inexorably intertwined in Iran. To assert one's individuality in clothing or spoken stance becomes a political human activity. Furthermore, Marjane expresses that government policies really touch on people'south behaviors: "It wasn't only the government that changed. Ordinary people inverse too." Under such a repressive regime, what once felt like an enormous separation betwixt the public sphere and the private one considerably narrows. Past the terminate of the graphic novel, Marjane's mother is both covering the windows to protect confronting flying glass—a consequence of the ongoing warfare, indiscriminate in its destructiveness—and from the eyes of prying neighbors, who might inform the government about the family's Western ways, which would be an individually targeted and motivated act.
The Personal vs. the Political ThemeTracker
The ThemeTracker below shows where, and to what degree, the theme of The Personal vs. the Political appears in each section of Persepolis. Click or tap on any chapter to read its Summary & Analysis.
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The Personal vs. the Political Quotes in Persepolis
Below you will find the important quotes in Persepolis related to the theme of The Personal vs. the Political.
We found ourselves veiled and separated from our friends.
Related Symbols: Veil
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I really didn't know what to call up about the veil. Deep down I was very religious but as a family we were very modern and advanced.
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As for me, I love the King, he was chosen past God.
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"All the country'due south money went into ridiculous celebrations of the 2500 years of dynasty and other frivolities…all of this to impress heads of state; the population couldn't have cared less."
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The reason for my shame and for the revolution is the same: the departure between social classes
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"Y'all must empathise that their love was impossible…considering in this country you must stay within your own social form."
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My father was not a hero, my mother wanted to kill people…and so I went out to play in the street.
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"Our family memory must not be lost. Even if it'due south not easy for y'all, even if yous don't understand it all."
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I wanted to be an educated, liberated woman…and and so another dream went up in smoke.
Related Symbols: Veil
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Information technology wasn't but the government that inverse. Ordinary people changed too.
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State of war e'er takes y'all by surprise.
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"I wish he were alive and in jail rather than dead and a hero."
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"To have the Iraqis assail, and to lose in an instant everything y'all had congenital over a lifetime, that's one thing…just to be spat upon past your ain kind, it is intolerable!"
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"Our country has always known state of war and martyrs, so, like my father said: 'When a big moving ridge comes, lower your head and permit information technology laissez passer!'"
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"Now is the time for learning. You have your whole life to have fun!...In this state yous have to know everything meliorate than anyone else if yous're going to survive!!"
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"To die a martyr is to inject blood into the veins of society."
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